Who Are You? is the eponymous piece which lends to the feeling of alienation in a foreign context. This piece proposes that in such moments of dissonance, the look of befuddlement is shared by both parties and not just the foreigner.
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These were inspired by the layered expressive potential of Chinese calligraphy art. A master once shared with me that you'd have to master all the technical skills of calligraphy before your work starts to reflect your beliefs. I explored this concept with my own practice, looking to express my inner thoughts through lines that were more expressive than figurative. The seal applied to each work is reminiscent of the ornamental seals used on calligraphy work as a decorative watermark.
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A Gamer's Progress
A modern spin on William Hogarth’s “A Rake’s Progress”. A classic tale of how one’s inherent vices has led to a gradual albeit dramatic fall from grace. It’s a familiar tale, and one worth retelling in a different context. Here you’ll find the steady decline of a privileged kid who succumbs to his gaming addiction.
The Independent
I was commissioned by the Independent for an illustration to support Will Self's article regarding the nature of the UK's mental health facilities and its correlation with the stigma surrounding mental health.
All The People, So Many People
All The People, So Many People is an ongoing visual mixtape which consists of visualised song suggestions from close friends who have been asked the question "Pick a song that summarises our friendship." The idea is that these visualised suggestions will paint an honest portrait of myself. As the wise Jim Rohn once said "We are the average of the five people we spend the most time with".
From Jesus to Yeezus
An exploration on the parallels between conventional worship and fanatical behaviours surrounding celebrity worship, bringing the definition of religion into question. I found Kanye West (aka Yeezus) to be an excellent case study as, despite his faith in Christianity, his egotistic persona and god complex paints a fascinating picture of the modern person’s struggle between submission and empowerment. In congruence with the time-honoured vocabulary of Christian art, the artwork is filled with symbolism and iconography which references from the life of Yeezus. This is the mythology of Yeezianity and the human race.
Yellow Peril Supports Black Power
When to Stop?
A series of illustrations I submitted to the D&AD Young Blood 2017 Competition
Made of China
Made of China (2014) Exhibited: Mighty Jaxx’s Xmas Cookie Party Venue: Front Row, The Raffles Hotel Arcade I was one of the selected artists asked to take part in this custom toy event, where each artist was to customize a Jason Freeny gingerbread man. Seeing as how this was a western festive event taking place in Singapore, a westernized asian country, I decided to comment on globalized nations with oriental roots.
Castles Made of Sand: Vinyl Cover Design
Secret 7” takes 7 tracks from 7 of the best-known musicians around and presses each one 100 times to 7” vinyl. An open call is then made to create artwork for the 7 tracks. I chose the song "Castles Made of Sand" by Jimi Hendrix
Amazon Forest
In solidarity with the Amazon Forest. This work was done with the belief that all our collective efforts can amount to something in the ways of a better world.
The Book Funeral
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