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Castles Made of Sand: Vinyl Cover Design
Secret 7” takes 7 tracks from 7 of the best-known musicians around and presses each one 100 times to 7” vinyl. An open call is then made to create artwork for the 7 tracks. I chose the song "Castles Made of Sand" by Jimi Hendrix
Artwork for Industria 2019
I was invited by the organisers of Industria (Индустрия), a pioneering design and art festival based in Izhevsk, Russia, to contribute an artwork that pays homage to the city's industrial roots. I sought to visualise the correlation between their industrial heritage and the comforts it allowed its residents by making a connection between their factories and love for sauna.
Yellow Peril Supports Black Power
All The People, So Many People
All The People, So Many People is an ongoing visual mixtape which consists of visualised song suggestions from close friends who have been asked the question "Pick a song that summarises our friendship." The idea is that these visualised suggestions will paint an honest portrait of myself. As the wise Jim Rohn once said "We are the average of the five people we spend the most time with".
The Independent
I was commissioned by the Independent for an illustration to support Will Self's article regarding the nature of the UK's mental health facilities and its correlation with the stigma surrounding mental health.
Editorial - Neither British nor Chinese
Editorial - Dragon Boat Festival
The Tokyoiter: Spring Cover Design 2022
Shiro Oni Residence Group Show 2019 / シロオニ展覧会 2019年
I was one of 8 artists in Shiro Oni's 2019 July art residency intake, situated in a small town in Gunma. It was a culturally immersive experience punctuated by wholesome interactions with locals, a summer festival, hot spring trips and a group exhibition at the end.
From Jesus to Yeezus
An exploration on the parallels between conventional worship and fanatical behaviours surrounding celebrity worship, bringing the definition of religion into question. I found Kanye West (aka Yeezus) to be an excellent case study as, despite his faith in Christianity, his egotistic persona and god complex paints a fascinating picture of the modern person’s struggle between submission and empowerment. In congruence with the time-honoured vocabulary of Christian art, the artwork is filled with symbolism and iconography which references from the life of Yeezus. This is the mythology of Yeezianity and the human race.
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